An orphan’s life is harsh—and often short—in the island city of Camorr, built on the ruins of a mysterious alien race.
Born with a quick wit and a gift for thieving, Locke Lamora dodges both death and slavery, only to fall into the hands of an eyeless priest known as Chains, neither blind nor a priest.
A con artist of extraordinary talent, Chains passes his skills on to his carefully selected family of orphans “Gentlemen Bastards.”
Locke grows to lead, delightedly pulling off one outrageous trick after another, infamous as the Thorn of Camorr—no wealthy noble is safe from his sting.
But the Gray King is slowly killing Capa Barsavi’s most trusted men and using Locke as a pawn in his plot to take control of Camorr’s underworld.
With a bloody coup under way threatening to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the Gray King at his own brutal game—or die trying.
When at first we meet the wayward and precocious Locke Lamora he is just an orphan child, the novel starts off with evoking memories of Oliver Twist.
After causing a lot of trouble for his first gang’s master he is sold off to an eyeless priest, Chains, where Locke joins his new found family in conning the people of Camorr and becoming brilliant in his cons.
Scott Lynch weaves together an unbelievable story of conmen known as the “Gentlemen Bastards”, the cons range from using their skills to get themselves out of sticky situations to conning the elite of Camorr out of their entire fortunes.
Locke Lamora is a fantastic character and although he’s a criminal Lynch makes all of his Gentlemen Bastards likeable and perhaps even lovable. My favourite character in fact is not Locke but his adopted brother in crime Jean Tannen, the orphan of merchants, reader and muscle behind the Gentlemen Bastards.
We also meet the Sanzas, twins who are reminiscent of the Weasley twins, but who are a lot tougher and rougher. And dear old Bug, who fills the role of baby brother to the gang.
The structure of the story is also interesting as it alternates between the present Gentlemen Bastards and their years they were in training.
Of course, the switch between time lines is always on a cliff hanger and leaves you saying “Just one more chapter – and finally realizing you spent the entire evening with your nose firmly in your book.”
I would definitely recommend this for fantasy fans, however this is not an exceptionally fantasy-oriented novel and I think anyone would be able to enjoy it as their world is not that different from our own.
Lynch knows how to keep you glued to the page and after 700 + pages wondering what happens next. But fear not the sequel Red Seas Under Red Skies is already out.